Clare L. Deming

The Saint of Bright Doors by Vajra Chandrasekera is a stand-alone novel that won the 2023 Nebula Award for Best Novel (paid link). It was also nominated for the 2024 Hugo Award for Best Novel. The premise sounded intriguing, so I picked it up. I have not read anything else by this author.

Here is the blurb:

Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy.

He walked among invisible devils and anti-gods that mock the mortal form. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city, and fell into a broader world where divine destinies are a dime a dozen.

Everything in Luriat is more than it seems. Group therapy is recruitment for a revolutionary cadre. Junk email hints at the arrival of a god. Every door is laden with potential, and once closed may never open again. The city is scattered with Bright Doors, looming portals through which a cold wind blows. In this unknowable metropolis, Fetter will discover what kind of man he is, and his discovery will rewrite the world.

I enjoyed the beginning of this book, but as the story evolved, I found myself getting less invested in what happened. The initial premise finds the narrator, Fetter, in the city of Luriat where he attends therapy sessions for people with special powers who thought they were destined for something great, only to later discover that they aren’t that special after all. I liked that idea and was entranced by the beginning of the story.

Fetter becomes caught up with a group of rebels who let him indulge his fascination with the Bright Doors that mysteriously appear throughout Luriat. I had hoped for more from this plot line, but the investigation of the doors fizzled as Fetter became obsessed with murdering the leader of a religious cult, who was coincidentally his father. Nothing about this goes well for him, and he has to abandon everything he built in Luriat.

I read that this book was described as part of the magical realism genre, and perhaps this genre is not for me. This is not the first time that I’ve struggled with a magical realism book (see my review of On Fragile Waves by E. Lily Yu here). The Saint of Bright Doors introduced many ideas and mysteries, but then never delivered with any explanation or greater purpose to any of it. Fetter’s reality shifts and becomes more surreal, but by the end of the book I didn’t care about what happened to him.

I would still consider reading another book by this author, but only if it was not considered magical realism.

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