The Familiar by Leigh Bardugo is a new stand-alone novel set in late 16th century Spain that incorporates significant fantasy elements. I have enjoyed several of Bardugo’s other books, so read on below to see what I thought of this one (paid links).
You can find my review of her other books here:
- Shadow and Bone (Shadow and Bone #1)
- Siege and Storm (Shadow and Bone #2)
- Ruin and Rising (Shadow and Bone #3)
- Demon in the Wood (graphic novel/prequel)
- Six of Crows (Six of Crows #1)
- Crooked Kingdom (Six of Crows #2)
- King of Scars (King of Scars #1)
- Rule of Wolves (King of Scars #2)
- Ninth House (Alex Stern #1)
- Hell Bent (Alex Stern #2)
Here is the blurb:
In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family’s social position.
What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain’s king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England’s heretic queen—and Pérez will stop at nothing to regain the king’s favor.
Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition’s wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.
This book opened more slowly than some of the author’s other stories, but Luzia’s life was richly depicted and it was easy to get drawn in to the sense of place that was established in the opening. As she gets drawn into the schemes of those better off, she tries to grasp some small piece of agency for herself, making her choices more understandable as she knowingly puts herself at risk.
Like much of Leigh Bardugo’s other novels, there was an element of romance within this story. This threw me at first, because I had not read the description of one character accurately and had made some incorrect assumptions. However, I was able to reorient myself and this ultimately didn’t take anything away from the story for me.
I felt like I didn’t understand the magical aspects of this world quite as well as I would have liked. Perhaps that was because this was a stand-alone novel and I simply had fewer pages to become comfortable with the backstory and myths that were revealed as the plot unfolded.
Despite these nitpicks, I did enjoy this novel. I found it to be a refreshingly different type of story from the author, and while I would love to discover another novel that was as good as Six of Crows, it is also great to know that she can vary her work to keep it fresh.
Which of Leigh Bardugo’s books have you read? Which was your favorite? Let me know in the comments (above)!
Find more of my reviews here.










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